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But camp is intricately enmeshed with queerness, and is anything but disengaged and merely decorative. Sontag also writes, however, that the camp sensibility is “disengaged, depoliticized”, and that it emphasises the “decorative … at the expense of content”. Camp, Sontag continues, is “the spirit of extravagance”, as well as “a kind of love, a love for human nature”, which “relishes, rather than judges”. Susan Sontag, whose work inspired the Met Gala Ball’s theme, wrote in Notes on Camp (1964) that camp is about “artifice and the unnatural”, a “way of seeing the world as an aesthetic phenomenon”. It was the theme of the 2019 Met Gala, prompting widespread commentary about what camp is. It has been adopted and adapted by celebrities including Dolly Parton, Prince, Elton John, Ru Paul, Lady Gaga, and Lil Nas X. Although camp is difficult to define, it probably doesn’t need much description.Įver since 1956 – when former teenage drag queen Little Richard began performing his tribute to anal sex, “ Tutti Frutti”, while wearing a six-inch pompadour, plucked eyebrows, and eyeliner – camp has increasingly been accommodated into social acceptance and understanding.